Red Braces: Difference between revisions

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6 bytes removed ,  24 February 2007
The monopoly board is still there! (I think)
(New page: Red Braces was a bit of an oddball - a programme about finance for students. Michael Prior-Jones was the presenter and producer. It was produced live on a Friday evening at around 8pm...)
 
(The monopoly board is still there! (I think))
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== Title sequence ==
== Title sequence ==
[[Matt Hammond]] created the title sequence and graphics, including making the customised Monopoly board, which hung around YSTV for years afterwards. A lot of creative camerawork was done to get high angle "crane shots" which were actually done with a Manfrotto tripod with all three legs held together, fully extended and then leaned over the shoulder of a tall person to give the crane effect.
[[Matt Hammond]] created the title sequence and graphics, including making the customised Monopoly board, which still hangs in YSTV to this day. A lot of creative camerawork was done to get high angle "crane shots" which were actually done with a Manfrotto tripod with all three legs held together, fully extended and then leaned over the shoulder of a tall person to give the crane effect.
The people featured were [[Jenny Gordon]], Matthias (surname forgotten), [[Peter Elvidge]] and [[Michael Prior-Jones]].
The people featured were [[Jenny Gordon]], Matthias (surname forgotten), [[Peter Elvidge]] and [[Michael Prior-Jones]].
At the end of the titles Michael was seen to walk along the top of the programme logo and lean on one of the letters - this was done by shooting him from a camera in the Techie Room against a black background at the other end of the studio. A pile of boxes covered in black drape was used as a proxy for the letter. The whole thing was composited together on the erstwhile Macintosh edit suite.
At the end of the titles Michael was seen to walk along the top of the programme logo and lean on one of the letters - this was done by shooting him from a camera in the Techie Room against a black background at the other end of the studio. A pile of boxes covered in black drape was used as a proxy for the letter. The whole thing was composited together on the erstwhile Macintosh edit suite.
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