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Battle Of The Bands 2005: Difference between revisions
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As the year before, YSTV interviewed and filmed the bands at the Semis, then edited introduction VTs for each band in the Final. This time interviewing was by [[Kat Sutton]] {{unsure| and someone else?}}. | As the year before, YSTV interviewed and filmed the bands at the Semis, then edited introduction VTs for each band in the Final. This time interviewing was by [[Kat Sutton]] {{unsure| and someone else?}}. | ||
YSTV did not set up an outside control room, but cabled the two [[Panasonic MS5|roving cameras]], [[ | YSTV did not set up an outside control room, but cabled the two [[Panasonic MS5|roving cameras]], [[DeathStar]] and a static wide shot back to the normal studio control room. Output came back to a projector shining sideways onto a screen on the front left of the stage, because this was the only available space. Pictures of getting it into place can be seen on [http://ystv.york.ac.uk/fun/archive/BoB2k5/index.php YSTV's website]. As a result the sets were broadcast round campus live as well as being recorded. | ||
This enabled all the usual equipment to be brought to bear, using [[Magic DaVE]] for vision mixing. Sets were recorded straight to the [[Video Server]], so they could be [http://ystv.york.ac.uk/watch/vids.php?cat=9 put online] very shortly after the event. [[Rob Humphrey]] also carried out something of a first for YSTV in producing what became known as a "live-edit" during the broadcast, featuring highlights of the night's performances and the time-lapse of the rig construction. This was played out on the big screens at the end of the night to a very positive reception. | This enabled all the usual equipment to be brought to bear, using [[Magic DaVE]] for vision mixing. Sets were recorded straight to the [[Video Server]], so they could be [http://ystv.york.ac.uk/watch/vids.php?cat=9 put online] very shortly after the event. [[Rob Humphrey]] also carried out something of a first for YSTV in producing what became known as a "live-edit" during the broadcast, featuring highlights of the night's performances and the time-lapse of the rig construction. This was played out on the big screens at the end of the night to a very positive reception. | ||