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The first title sequence was by [[Graham Quince]], in which a broken compass reassembled, animated on the [[Commodore Amiga]] (it was a complete rip off of the titles of a cool legal drama at the time called Murder One).
The first title sequence was by [[Graham Quince]], in which a broken compass reassembled, animated on the [[Commodore Amiga]] (it was a complete rip off of the titles of a cool legal drama at the time called Murder One).


At the start of 1999, an attempt was made to give the show a bit more production.  A title sequence consisting of UGM footage and talking heads was made by [[Chris Ward]] accompanied by a new version of the old [[Week by Week]] theme music digitally recreated by [[Paul Soulsby]].  This title sequence was used for nearly five years, which may be the longest time a title sequence has been used so regularly on YSTV.  The closing credits included footage from that evening's show - making use of the new Mac edit suite that had recently been acquired.
Towards the end of 1998, an attempt was made to give the show a bit more production.  A title sequence consisting of UGM footage and talking heads was made by [[Chris Ward]] accompanied by a new version of the old [[Week by Week]] theme music digitally recreated by [[Paul Soulsby]].  This title sequence was used for nearly five years, which may be the longest time a title sequence has been used so regularly on YSTV.  The closing credits included footage from that evening's show - making use of the new Mac edit suite that had recently been acquired.


The new-look show went on to win two awards at the 1999 NaSTA conference in Glasgow for News & Current Affairs and Title Sequence (See the [[Press Clippings]]).  The wins were featured in the Yorkshire Evening Press shortly afterwards including an interview with Julie Knox.
The new-look show went on to win two awards at the 1999 NaSTA conference in Glasgow for News & Current Affairs and Title Sequence (See the [[Press Clippings]]).  The wins were featured in the Yorkshire Evening Press shortly afterwards including an interview with Julie Knox.
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