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The first title sequence was by [[Graham Quince]], in which a broken compass reassembled, animated on the [[Commodore Amiga]] (it was a complete rip off of the titles of a cool legal drama at the time called Murder One). | The first title sequence was by [[Graham Quince]], in which a broken compass reassembled, animated on the [[Commodore Amiga]] (it was a complete rip off of the titles of a cool legal drama at the time called Murder One). | ||
At the start of 1999, an attempt was made to give the show a bit more production. A title sequence consisting of UGM footage and talking heads was made by [[Chris Ward]] accompanied by a new version of the old [[Week by Week]] theme music digitally recreated by [[Paul Soulsby]]. This title sequence was used for nearly five years, which may be the longest time title sequence has been used so regularly on YSTV. The closing credits included footage from that evening's show - making use of the new Mac edit suite that had recently been acquired. | At the start of 1999, an attempt was made to give the show a bit more production. A title sequence consisting of UGM footage and talking heads was made by [[Chris Ward]] accompanied by a new version of the old [[Week by Week]] theme music digitally recreated by [[Paul Soulsby]]. This title sequence was used for nearly five years, which may be the longest time a title sequence has been used so regularly on YSTV. The closing credits included footage from that evening's show - making use of the new Mac edit suite that had recently been acquired. | ||
The new-look show went on to win two awards at the 1999 NaSTA conference in Glasgow for News & Current Affairs and Title Sequence (See the [[Press Clippings]]). The wins were featured in the Yorkshire Evening Press shortly afterwards including an interview with Julie Knox. | The new-look show went on to win two awards at the 1999 NaSTA conference in Glasgow for News & Current Affairs and Title Sequence (See the [[Press Clippings]]). The wins were featured in the Yorkshire Evening Press shortly afterwards including an interview with Julie Knox. | ||