Cooking With: Difference between revisions

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All archived shows were recorded with a two camera setup using the Panasonic MS4 as a genlock source and [[Panasonic F10]] as a genlocked slave. In [[Cooking with Chocolate]] the camera wasn't genlocked properly leading to a blue tint, this wasn't spotted during recording due to the use of a black and white preview monitor. Subsequent recordings took a colour preview as insurance!
All archived shows were recorded with a two camera setup using the Panasonic MS4 as a genlock source and [[Panasonic F10]] as a genlocked slave. In [[Cooking with Chocolate]] the camera wasn't genlocked properly leading to a blue tint, this wasn't spotted during recording due to the use of a black and white preview monitor. Subsequent recordings took a colour preview as insurance!


Sound was recorded with a directional microphone rather than using tie clip microphones, and the vision was mixed by [[Tim Hackett]] in the 7 normal format shows. Because the mixer had to be squashed into the crampt kitchen no camera comms were used and the camera operators (usually [[Tim Pollard]] and [[Helen Rix]]) were left to frame their own shots.
Sound was recorded with a directional microphone rather than using tie clip microphones, and the vision was mixed by [[Tim Hackett]] in the 7 normal format shows. Because the mixer had to be squashed into the cramped kitchen no camera comms were used and the camera operators (usually [[Tim Pollard]] and [[Helen Rix]]) were left to frame their own shots.


[[Image:CookingPancam.png|right|thumb|160px|Pancam testing]]
[[Image:CookingPancam.png|right|thumb|160px|Pancam testing]]
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For [[Cooking with Chocolate]] a mini black and white pinhole camera was used to film the beating together of ingredients. Of course this was actually recorded earlier and the 'pancam' view simply edited over the main soundtrack.
For [[Cooking with Chocolate]] a mini black and white pinhole camera was used to film the beating together of ingredients. Of course this was actually recorded earlier and the 'pancam' view simply edited over the main soundtrack.


Overlayed graphics came from a [[Commodore Amiga]], which at the time was only equipped with a floppy drive. This meant that the closing titles had to be loaded one page at a time, and due to the graphical backdrop this also meant loading the backdrop too. For this reason the closing credits could often reach 3 minutes - enough time to load all of the pages and usually play the chosen track in full.
Overlaid graphics came from a [[Commodore Amiga]], which at the time was only equipped with a floppy drive. This meant that the closing titles had to be loaded one page at a time, and due to the graphical backdrop this also meant loading the backdrop too. For this reason the closing credits could often reach 3 minutes - enough time to load all of the pages and usually play the chosen track in full.


For some reason Chocolate, Frogs and Lard were dubbed to SVHS in 2001, however the complete set remain on MMatic.
For some reason Chocolate, Frogs and Lard were dubbed to SVHS in 2001, however the complete set remain on MMatic.
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{{YSTV Productions}}
{{YSTV Productions}}
[[Category: Productions]]
[[Category: Productions]]
[[Category:Cooking with]]

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