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[[Michael Prior-Jones]] was the presenter and producer. It was produced live on a Friday evening at around 8pm. [[Chris Thornton]] did some of the research. | [[Michael Prior-Jones]] was the presenter and producer. It was produced live on a Friday evening at around 8pm. [[Chris Thornton]] did some of the research. | ||
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== Set and graphics == | == Set and graphics == | ||
[[Image:Redbraces gfx.jpeg|thumb|left|Red braces background image]] | |||
The whole programme had a "Monopoly" theme - in the (NaSTA award-winning) title sequence, several people were seen playing a York-themed version of Monopoly in a smoke-filled room. The setboards were painted with a Monopoly-board motif (much creative use of masking tape and painting layers of different coloured paint) and the projection TV and its "window" setboard were used again to give a display for Michael to use. The [[SU Elections 2000]] silver-topped trestle table also featured in one corner of the set. | The whole programme had a "Monopoly" theme - in the (NaSTA award-winning) title sequence, several people were seen playing a York-themed version of Monopoly in a smoke-filled room. The setboards were painted with a Monopoly-board motif (much creative use of masking tape and painting layers of different coloured paint) and the projection TV and its "window" setboard were used again to give a display for Michael to use. The [[SU Elections 2000]] silver-topped trestle table also featured in one corner of the set. | ||
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== Title sequence == | == Title sequence == | ||
[[Matt Hammond]] created the title sequence and graphics, including making the customised Monopoly board, which still hangs in YSTV to this day. A lot of creative camerawork was done to get high angle "crane shots" which were actually done with a Manfrotto tripod with all three legs held together, fully extended and then leaned over the shoulder of a tall person to give the crane effect. | [[Matt Hammond]] created the title sequence and graphics, including making the customised Monopoly board, which still hangs in YSTV to this day. A lot of creative camerawork was done to get high angle "crane shots" which were actually done with a Manfrotto tripod with all three legs held together, fully extended and then leaned over the shoulder of a tall person to give the crane effect. |
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