Panasonic MS5: Difference between revisions

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{{Equipment}}
The three Panasonic MS5 cameras were donated to the station via a member {{unsure|(Kevin Bowman?)}} working for a company who were throwing them away as too old to be of any use. There are however significantly lighter than the [[Panasonic F10|F10s]] (despite having a SVHS tape transport onboard), and much less noisy in low light levels.
The three Panasonic MS5 cameras were donated to the station via a member {{unsure|(Kevin Bowman?)}} working for a company who were throwing them away as too old to be of any use. There are however significantly lighter than the [[Panasonic F10|F10s]] (despite having a SVHS tape transport onboard), and much less noisy in low light levels.


After a while kept as OB cameras they became the main studio rig cameras in Autumn 2003, a role they have retained ever since, as well as a continued role on [[Events Coverage|outside broadcasts]]. The facility to record to tape has only rarely been used, however for [[Roses]] they have been hooked up with 12V external batteries and loaded with SVHS tapes to go and chase round sports pitches following the action.
After a while they became the main studio rig cameras in Autumn 2004, as well being used on [[Events Coverage|outside broadcasts]]. The facility to record to tape has only rarely been used, however for [[Roses]] they have been hooked up with 12V external batteries and loaded with SVHS tapes to go and chase round sports pitches following the action. They have also been used occasionely for drama and music productions when students request that the station films them - apart from the longer running time compared to DV tapes, the temptation to remove the VHS from the camera and hand straight to the student in question after the performance (thereby not having the run the damn thing off afterwards) was too strong to resist!


Their heritage as basically consumer video cameras upgraded with SVHS support has lead to some annoying reliability issues, mainly with the connections on the back of the cameras needed to connect them to studio umbilical cables. These are fitted with phono connectors for video output and a unique 3-pin connector for 12V power (and originally charging an internal battery). Both of these proved to be quite fragile, as well as the power connectors being unobtainable.
Their heritage as basically consumer video cameras upgraded with SVHS support has lead to some annoying reliability issues, mainly with the connections on the back of the cameras needed to connect them to studio umbilical cables. These are fitted with phono connectors for video output and a unique 3-pin connector for 12V power (and originally charging an internal battery). Both of these proved to be quite fragile, as well as the power connectors being unobtainable.
[[Category:Equipment]]

Latest revision as of 17:52, 7 August 2019

This article is about a piece of equipment. For more information on what it is for or how to use it, try its documents wiki article.

The three Panasonic MS5 cameras were donated to the station via a member (Kevin Bowman?)Unverified or incomplete information working for a company who were throwing them away as too old to be of any use. There are however significantly lighter than the F10s (despite having a SVHS tape transport onboard), and much less noisy in low light levels.

After a while they became the main studio rig cameras in Autumn 2004, as well being used on outside broadcasts. The facility to record to tape has only rarely been used, however for Roses they have been hooked up with 12V external batteries and loaded with SVHS tapes to go and chase round sports pitches following the action. They have also been used occasionely for drama and music productions when students request that the station films them - apart from the longer running time compared to DV tapes, the temptation to remove the VHS from the camera and hand straight to the student in question after the performance (thereby not having the run the damn thing off afterwards) was too strong to resist!

Their heritage as basically consumer video cameras upgraded with SVHS support has lead to some annoying reliability issues, mainly with the connections on the back of the cameras needed to connect them to studio umbilical cables. These are fitted with phono connectors for video output and a unique 3-pin connector for 12V power (and originally charging an internal battery). Both of these proved to be quite fragile, as well as the power connectors being unobtainable.