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Cooking With: Difference between revisions
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Panasonic F10
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==Technical== | ==Technical== | ||
All archived shows were recorded with a two camera setup using the Panasonic MS4 as a genlock source and Panasonic F10 as a genlocked slave. In [[Cooking with Chocolate]] the camera wasn't genlocked properly leading to a blue tint, this wasn't spotted during recording due to the use of a black and white preview monitor. Subsequent recordings took a colour preview as insurance! | All archived shows were recorded with a two camera setup using the Panasonic MS4 as a genlock source and [[Panasonic F10]] as a genlocked slave. In [[Cooking with Chocolate]] the camera wasn't genlocked properly leading to a blue tint, this wasn't spotted during recording due to the use of a black and white preview monitor. Subsequent recordings took a colour preview as insurance! | ||
Sound was recorded with a directional microphone rather than using tie clip microphones, and the vision was mixed by [[Tim Hackett]] in the 7 normal format shows. Because the mixer had to be squashed into the crampt kitchen no camera comms were used and the camera operators (usually [[Tim Pollard]] and [[Helen Rix]]) were left to frame their own shots. | Sound was recorded with a directional microphone rather than using tie clip microphones, and the vision was mixed by [[Tim Hackett]] in the 7 normal format shows. Because the mixer had to be squashed into the crampt kitchen no camera comms were used and the camera operators (usually [[Tim Pollard]] and [[Helen Rix]]) were left to frame their own shots. | ||